The Return of Tomahawk: A Supergroup’s Resurgence and What It Means for Music
There’s something electric about a band reuniting after a decade-long hiatus, especially when that band is Tomahawk—a supergroup composed of members from Faith No More, The Jesus Lizard, Battles, and more. Their recent return to the stage, marked by their first concert since 2013, feels like more than just a nostalgia trip. It’s a cultural moment, a reminder of what happens when musical titans collide and why their absence was felt so deeply.
A Setlist That Defies Expectations
Tomahawk’s 18-song set at the Brooklyn Bowl in Nashville wasn’t just a greatest hits parade. What makes this particularly fascinating is their decision to debut several tracks live, including “SHHH!,” “Predators and Scavengers,” and “Doomsday Fatigue.” Personally, I think this speaks to the band’s refusal to rest on their laurels. They’re not here to coast on past glory; they’re pushing boundaries, even after years away. It’s a bold move, especially when you consider the pressure of a comeback show. Fans could’ve easily been satisfied with the classics, but Tomahawk chose to challenge both themselves and their audience.
One thing that immediately stands out is the inclusion of a Duane Eddy cover, “Stalkin’,” in the encore. This isn’t just a random choice—it’s a nod to their roots while also showcasing their versatility. What this really suggests is that Tomahawk isn’t confined to a single genre or era. They’re a band that thrives on experimentation, and their setlist reflects that.
The Tour Name: A Provocation or a Statement?
Let’s talk about the tour name: A Huge Waste of Your Time and Money Tour. On the surface, it’s provocative, almost dismissive. But if you take a step back and think about it, it’s a brilliant piece of marketing. In an era where every band promises an “unforgettable experience,” Tomahawk is flipping the script. They’re daring you to show up, to prove them wrong. It’s a challenge, a call to action, and a reflection of their irreverent attitude.
What many people don’t realize is that this kind of self-deprecation is a hallmark of the alternative metal scene. It’s not about arrogance; it’s about authenticity. Tomahawk isn’t pretending to be something they’re not. They’re acknowledging the absurdity of the music industry while simultaneously delivering a show that’s anything but a waste of time.
The 25th Anniversary Edition: A Collector’s Dream or a Gimmick?
The limited-edition 25th anniversary pressing of their self-titled debut album, available only at tour stops, is another intriguing move. With just 20 copies per show, it’s a collector’s dream—but it’s also more than that. From my perspective, this is Tomahawk’s way of rewarding their most dedicated fans. It’s a physical reminder of their legacy, a tangible piece of history.
However, it also raises a deeper question: Are limited-edition releases a genuine celebration of art, or are they a marketing gimmick? Personally, I think it’s a bit of both. Yes, it’s a way to drive ticket sales and create buzz, but it’s also a testament to the band’s impact. After 25 years, their debut still resonates, and that’s no small feat.
The Broader Implications: Why Tomahawk Matters in 2024
Tomahawk’s return isn’t just about them—it’s about the state of music today. In an industry dominated by streaming and fleeting trends, their resurgence feels like a rebellion. They’re a reminder of a time when bands were defined by their creativity, not their algorithms.
A detail that I find especially interesting is how their tour dates span the U.S., from Nashville to Los Angeles. This isn’t just a victory lap; it’s a statement. Tomahawk is reconnecting with their fanbase, proving that live music still matters. In a world where virtual concerts are becoming the norm, their commitment to the stage is refreshing.
Final Thoughts: A Comeback That’s More Than Just Music
Tomahawk’s return is more than a concert series—it’s a cultural event. It’s a testament to the enduring power of collaboration, creativity, and authenticity. As I reflect on their first show and the tour ahead, I’m struck by how much they’ve managed to achieve without compromising their identity.
In my opinion, this comeback isn’t just about revisiting the past; it’s about redefining the future. Tomahawk isn’t just a band—they’re a movement, a reminder of what music can be when artists refuse to play by the rules. And if their first show is any indication, this tour is going to be anything but a waste of time.
