Alan Hale Jr. and James Garner: A Tale of Contrasting Opinions
In the world of cinema, it's not uncommon for actors to find themselves in films that don't quite live up to their expectations or the standards of their peers. Such was the case for Alan Hale Jr. and James Garner, who found themselves on the same set for the 1959 World War II submarine drama, "Up Periscope."
Hale Jr., already a seasoned actor with a diverse portfolio, including his own Western series and collaborations with Audie Murphy and Kirk Douglas, seemed to be enjoying the experience. He played Pat Malone, a fellow officer, and got to showcase his comedic skills, a talent that would later serve him well on the iconic "Gilligan's Island."
However, for James Garner, the experience was a different story. As the star of the film, he had high expectations, and his disdain for the movie was evident. In his memoir, "The Garner Files," co-written with Jon Winokur, Garner gave the film a mere one-star rating, calling it "Another piece of crap that Warner Bros. stuck me in while I was under contract."
Garner's contempt for the film was further emphasized by his lack of involvement in the project. Unlike Hale Jr., who was given a substantial role, Garner's character, Lt. Kenneth Braden, was a minor part, and the star felt that this was a strategic move to minimize his involvement. The tension between the director, Gordon Douglas, and the star was palpable, as Douglas had already directed Garner in the past, and their working relationship was not without challenges.
The film itself, while not a critical success, received a mixed reception. A. H. Weiler of the New York Times noted that it "seems to run a familiar and somewhat undramatic course," but also praised the cast and crew for their dedication, particularly highlighting Alan Hale Jr.'s performance. Weiler's review provides a nuanced perspective, acknowledging the film's shortcomings while also recognizing the efforts of the talent involved.
The contrast between Hale Jr.'s enjoyment and Garner's disdain highlights the subjective nature of the film industry. What one actor finds thrilling and enjoyable, another may find frustrating and disappointing. This dichotomy is a testament to the diverse tastes and experiences that shape the creative process and the final product.
In the end, "Up Periscope" remains a lesser-known entry in both actors' careers, but it serves as a reminder that even the most seasoned professionals can have varying opinions and experiences on set. It's a fascinating insight into the human side of the film industry, where personal preferences and creative differences can lead to vastly different perspectives on the same project.
